It should have been recreated from scratch. Much of the problem with the production values can be attributed to adapting this Japanese game to the North American market. At times, the floodwaters look like green carpeting.
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More discerning players will note the plain graphics, trial and error gameplay, and blurry textures. It's unlikely that anyone could overlook the terrible voiceacting and wooden animation. Casual and beginning gamers are more likely to enjoy this game from start to finish, but experienced gamers will expect better. There are some truly memorable moments, but there are also plenty of boring tasks that connect you to the real adventures. In this case, you're caught in the middle of a devastating flood where you'll not only be battling Mother Nature but all of the crumbling infrastructure of the city that you live in. Playing Raw Danger is like being in one of those 70s, epic disaster flicks. It's got some great ideas but lousy execution.Īs the sequel to 2003's Disaster Report, Raw Danger shows some significant improvements, but at the same time it fails to come across as a big budget blockbuster. It's marred by some poor production values and padded gameplay. The combination of incomprehensible acts of Mother Nature coupled with a bunch of people in bizarre getups consistently surviving whirlpools and rooms that flood and bridges that collapse under them is what keeps the game fairly light despite dips into some rather heavy emotional material.JRaw Danger is almost a great game. But that's exactly why Raw Danger is so fun. Nothing says "I'm here to save you" quite like a guy in wading pants, a leather jacket, a child's backpack, a miner's helmet and one of those fake nose/mustache things - and it's even more convincing when it's a girl wearing all that stuff. Irem built a quirky, undeniably Japanese sense of weirdness into the game through things like completely pointless compasses in the shape of a plate of curry, or even one of the mechanized suits from Steambot Chronicles, or the ability to mix and match different parts of clothing. Once the game sinks its teeth in, it doesn't easily let go. You really do have to play it - and for more than about five minutes - to really understand the appeal. Sure, you could talk about the fact that you're constantly trying to stay dry and warm (the absence of both elements drop your overall body temperature, and only eating hot food, finding fires or using things like heating pads can stave off the Grim Reaper), or explain that you actually get to play through a dam breaking and a giant tidal wave of water tearing through an open city, but words don't really do the game justice. After all, how do you justify a game that looks quite honestly like it was unearthed from a time capsule planted a good 10 years ago? The short answer is that short of booting up the game and shoving a DualShock in someone's hands, there's really no way to properly sell it. For those that didn't play the first game, it's a little tough to explain the appeal. Like all good disaster movies, the ridiculous levels of destruction and the sheer over-the-top nature of a few survivors continuing to win out against the odds are the stars, but it's in the rare down times that the game actually sinks its hooks in.
Agetec's questionable handling of the localization, which includes things like turning nearly everyone into some kind of freaky blond-haired Asian super race instead of leaving them with black hair, a number of grammar and spelling errors, the complete omission of the main characters' names during voice acting (even if you leave their name as the default, leading to awesome lines like "have you found _?" and "_ is a murderer!"), are all arguably doing the game more harm than good.Īnd yet, there is an undeniable charm - a weight and impact - to not only the constantly eroding environments and utterly inconceivable events that take place, but the players that experience them and (perhaps most importantly of all) the interactions that they have with each other. It's no exaggeration to say that Raw Danger looks, feels and plays like a 32-bit experience. At the same time, laughable voice acting in near-constantly shifting levels of fidelity play out while buried under whatever ambient rainfall or roaring water happens to be in the background. A combination of glaring graphical issues like clipping, low-poly models, ultra-stiff animations, miserable collisions and PSone-era texture work tag team your eyes while clunky, unresponsive controls assail your poor, poor fingers.
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At nearly every turn, Raw Danger seemingly attempts to thwart your enjoyment of a city slowly being overtaken by a rising torrent of water. Make no mistake, the technical shortcomings are massive.
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